Denon DN-S1000 TAP Button usage
Keywords: Denon, DN-S1000, S1000, TAP, DJ

Have you just found some old Vinyl Records in your basement or attic and you are wondering how much they are worth? Well, keep on reading and I'll go through some of the distinct variables that must be considered when putting a value on a record.
1. Condition
This is maybe the singular most leading factor when setting a value on a vinyl record. Does the record have scratches? Is the cover intact? These are some of subjective judgment you need to make when grading the condition of your vinyl records. There are several distinct grading systems and methods that can help. There is no proper system, any way some are more widely proper than others- I suggest using the system made by Goldmine:
Mint (M)
Absolutely excellent in every way. easily never been played, possibly even still sealed. Should be used sparingly as a grade, If at all.

Near Mint (Nm or M-)
A nearly excellent record. Many dealers won't give a grade higher than this implying (perhaps correctly)that no record is ever truly perfect. The record should show no inescapable signs of wear.
Very Good Plus (Vg+)
Generally worth 50 percent of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a old owner who took good care of it.
Very Good (Vg)
Generally worth 25 percent of Near Mint value. Many of the defects found in a Vg+ record will be more pronounced in a Vg disc. Face noise will be obvious upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise.
Good (G), Good Plus (G+) commonly worth 10-15 percent of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have valuable Face noise and scratches and illustrated groove wear
It is normal to use this scale to grade both the condition of the vinyl record itself and it's along sleeve. Giving your vinyl records (an their sleeves) an as honest and literal, condition grading is the first and most leading step towards understanding their value.
2. Contribute and demand
Of procedure not all vinyl records is artificial in the same number. Some records, by say The Beatles, could be mass produced in the millions, while most records released by smaller artists on smaller independent labels would just pressed in runs of a few thousand or even less. However, that vinyl records by The Beatles or Rolling Stones holds diminutive value and that records by inexpressive bands holds an higher value. Rather, on the contrary, some of the world's most valuable records are by The Beatles. How? That is related to publish number, publish year and the history and modern-day popularity of an artist or band. Let's first look at History and popularity.
3. History and popularity
Vinyl records that report a historic value today often commands high prices. Examples can be early Motown singles, as Motown grew to became one the biggest and most leading institutions for soul music, same with former releases from genres like stable rock, krautrock, psychedelia that have grown in popularity over the years. Also, recordings from artists and groups that have grown in popularity over the years or first received the recognition they deserved after their demise often commands high prices.
4. publish whole and publish year.
Without the publish number, which also tells you which label released the record and publish year it is very difficult to set a value on a vinyl record. First of all, some labels might be more collectible than others. That is especially true of inescapable labels that specializes on one-off and diminutive vinyl releases. Secondly, and more leading publish whole and year will tell you which pressing you own, if you own the former first pressing or a re-issue for example. Most beloved records will be pressed in more rounds depending on beloved demand. If you have former pressing of a Beatles record from 1965, you can be sure that this record is worth more than the same Lp reissued in 1973 for example. The world's most valuable vinyl records are often whether test pressings or former releases that have been pulled off the shop for varied reasons and therefore very few copies are in circulation.
5. Extras and diminutive Editions
Many vinyl records are also often pressed in two distinct editions. The normal one in a high whole and a special edition in a very diminutive run. These often includes extras, inner sleeve with liner notes, gatefold cover, further songs and similar. This is then also leading to take into notice when asserting the value of a vinyl record.
These are the five most leading aspects to take into notice when asserting the value of Vinyl Records. More data on value of vinyl records is ready both online and in book form.
Find the Value of Your Vinyl RecordsAR ES1 Turntable with new JICO/SAS VN5MR stylus Video Clips. Duration : 2.48 Mins.The origin of hip-hop can be traced back as far as the antique tribes in Africa. Rap has been compared with the chants, drumbeats and foot-stomping African tribes performed before wars, the births of babies, and the deaths of kings and elders. Historians have reached further back than the acceptable origins of hip-hop. It was born as we know it today in the Bronx, cradled and nurtured by the youth in the low-income areas of New York City.
Fast-forward from the tribes of Africa to the ghettos of Kingston, Jamaica in the late sixties. The impoverished of Kingston gathered together in groups to form Dj conglomerates. They spun roots and culture records and communicated with the audience over the music. At the time, the Dj's comments weren't as prominent as the potential of the sound principles and its potential to get the crowd moving. Kool Herc grew up in this community before he moved to the Bronx.
During the late sixties, reggae wasn't favorite with New Yorkers. As a Dj, Kool Herc spun rhythm and blues records to please his party crowd. But, he had to add his personal touch. During the breaks, Herc began to speak to his audience as he had learned to do in Jamaica. He called out, the audience responded, and then he pumped the volume back up on the record. This call and response technique was nothing new to this community who'd been reared in Baptist and Methodist churches where call and response was a technique used by the speakers to get the congregation involved. Historians compare it to the call and response performed by Jazz musicians and was very much a part of the culture of Jazz music During the renaissance in Harlem.

Herc's Dj style caught on. His party's grew in popularity. He began to buy many copies of the same albums. When he performed his duties as a Dj, he extended the breaks by using many copies of the same records. He chatted, as it is called in dance hall, with his audience for longer and longer periods.
Others copied Herc's style. Soon a cordial battle ensued in the middle of New York Djs. They all learned the technique of using break beats. Herc stepped up the game by giving shout-outs to population who were in attendance at the parties and arrival up with his signature call and response. Other Djs responded by rhyming with their words when they spoke to the audience. More and more Djs used two and four line rhymes and anecdotes to get their audiences complicated and hyped at these parties.
One day, Herc passed the microphone over to two of his friends. He took care of the turn table and allowed his buddies to keep the crowd hyped with chants, rhymes and anecdotes while he extended the breaks of different songs indefinitely. This was the birth of rap as we know it.
Hip-hop has evolved from the days of the basement showdowns to big company in the music industry. In the seventies and eighties, the pioneers and innovators of the rap record was the Dj. He was the guy who used his turntable to create fresh sounds with old records. Then, he became the guy who mixed these familiar breaks with synthesizers to furnish thoroughly new beats. Not much has changed in that aspect of hip-hop. The guy who creates the beat is still the heart of the track. Now, we call him the producer. Even though some Djs work as producers as well as Djs (quite a few start out as Djs before they become producers), today's title "Dj" doesn't carry the same connotative meaning it did in the eighties. Today's hip-hop producer performs the same tasks as the eighty's Dj.
The History of Rap and Hip Hop MusicBSR Turntable Seized Record Repair Tube. Duration : 4.83 Mins.
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Phrases are often used in Jamaican Patois. The exact meaning of a phrase is dependent on the situation in which it is used, or on the speaker's intonation. We'll take a look at some generally used Jamaican phrases and, when applicable, we'll give an alternate meaning for some of these phrases.
The following are some generally used phrases in Jamaica and their translation.
Wha Gwan

The phrase 'wha gwan' is used as a greeting in Jamaica. Let's break this phrase into its personel words. The word 'wha' means 'what' and the word 'gwan' means 'going on.' Therefore, the Jamaican speaker is asking 'what's going on.' This a very coarse phrase and it is oftentimes used as a greeting in Jamaican Patois. You'll hear it often so it's worth remembering.
Yuh Cris
The phrase 'yuh cris' means 'are you okay' if the speaker's intonation has a questioning tone. 'Yuh cris' is also oftentimes used to greet people. The phrase 'yuh cris' can also have an alternate meaning depending on the intonation. An alternate meaning of 'yuh cris' is 'you look good.' Therefore, the speaker could be telling man that he or she is good looking.
The phrase 'yuh cris' can have yet other meaning and, as previously stated, it depends on the situation and on the intonation. For example, when man enters a firm in an English speaking country, an worker might greet them at the door and ask 'do you need anything' or the worker might ask 'can I help you with something?' The phrase 'yuh cris' could also be used in this situation to ask man 'do you need anything' or 'can I help you with something?' Here, we see that 'yuh cris' is being used to ask if the man is in need of assistance; however, in patois, there are other more formal ways of asking man if they need assistance. The use of 'yuh cris' in this situation would be considered informal and would more likely be used among citizen of the same age group.
Sihdung Deh
The phrase 'sihdung deh' precisely means 'sit down there.' The phrase can be used to give instructions to someone. However, depending on the intonation or on the situation, the phrase can have an alternate meaning. For example, if man is in a serious situation then the phrase "sihdung deh" could be used sarcastically to mean "remain seated there and do nothing." In other words, the man is not taking the requisite operation so the speaker is uses phrase sarcastically to address him. The phrase 'sihdung deh' can be used as a statement, at the opening of a statement or at the ending of a statement. The usage of the phrase, in such situations is sarcastic but it could also be used to motivate the man into taking action.
Awl an Pull up
"Awl and pull up" is the physical act of lifting a record off a turntable, in order to stop the music. Although the use of turntables has declined dramatically, this expression is still oftentimes used in Jamaica. It can be used in just about any situation when you want to say "stop."
In this narrative we looked at the ubiquitous Jamaican phrase 'wha gwan' and further phrases generally used in Jamaican Patois dialect. We gave alternate meanings for some of these phrases.
Translations of Some common Jamaican Phraseslife can be so suite Video Clips. Duration : 4.40 Mins.
Audio-Technica's AT-LP120 direct-drive, high-torque professional turntable is perfect for DJs and other music enthusiasts, especially in an era that many would call "postvinyl," when it's no longer the norm for audio/video receivers or even integrated amplifiers to offer a dedicated phono input. A selectable internal stereo phono preamplifier lets you plug the turntable directly into any line-level input, even your PC's (when used with a stereo RCA to minijack "Y" adapter cable, not included). Alternately, you can use the player's phono output and an outboard, higher-quality phono preamplifier for even better sound quality.

The AT-LP120's S-shaped tone arm assembly comes with an adjustable counterweight, an antiskate adjustment, a tone-arm height adjustment and lock, a tone-arm lift with hydraulic action and lift lever, and a tone-arm rest with a locking mechanism to keep the arm stable during transport.
The turntable uses a DC servo motor to maintain accurate rotational speed at either 33-1/3 45, or 78 rpm, governed by a selectable, high-accuracy quartz-controlled pitch lock--all of which gives new life to 7- and 12-inch singles you may not have played for years.
Unleash your inner DJ with the 'table's pitch-adjustment feature, with variations ranging from either +/-10 percent or +/-20 percent. A pop-up stylus target light and stroboscopic platter speed indicator offer visual assistance in queuing and playing your favorite tunes. Forward and reverse play options unlock countless creative doors (and haven't you always wondered what Prince is saying at the end of "Darling Nikki"?).
The 'table comes with a cast-aluminum record platter, a slip mat, and a professional cartridge and headshell (model ATP-2) that plugs directly into the tone arm. Adjustable, antivibrational feet keep the platter level, regardless of your environs.
A start/stop button with remote start/stop input lets you integrate the player with your more sophisticated DJ tools. The player also includes a 45 rpm adapter with storage receptacle for the adapter and for a surplus or replacement headshell (sold separately).
Turntable, removable hinged dust cover, slip mat, headshell/cartridge (ATP-2), AC power cord, 45 rpm adapter, and a user's manual.


